Texts / Michel Fokine

 

 

Michel Fokine

Isadora, beauty and expressiveness

 

 

    I consider the greatest manifestations of recent times to be the separate and so dissimilar achievements of Isadora Duncan, Loie Fuller and Ruth St. Denis.

    Duncan has reminded us of the beauty of simple movements. Loie Fuller introduced the effect of lights and shadows, of the combination of the dance with floating veils. Ruth St. Denis has acquainted us with the dances of the East.

    I wish to talk about Isadora Duncan in some detail. She was the greatest American gift to the art of the dance. Duncan proved that all the primitive, plain, natural movements - a simple step, run, turn on both feet, small jump on one foot - are far better than all the richness of ballet technique, if to this technique must be sacrificed grace, expressiveness and beauty…

    It is true that one should not sacrifice beauty or grace to the execution of technical difficulties. The error is in the supposition that technical difficulties could not be executed with grace, as if beauty and expressiveness may be associated only with simple movements.

    Not only in the dance, but in all art forms, the pursuit of perfection should not lead to complication of form, overlooking the purpose for which the art form exists. One must be reminded of this. Duncan reminded us: Do not forget that beauty and expressiveness are of the greatest importance.